Pedro Lasch

Pedro Lasch, born and raised in Mexico City, splits his time between North Carolina, where he has been teaching at Duke University since 2002, and New York, where he collaborates on projects with immigrant communities and art collectives like 16 Beaver Group, which he has been involved with since 1999. His solo exhibitions include *Open Routines* (Queens Museum of Art, 2006), *Black Mirror* (Nasher Museum of Art, 2008), and *Abstract Nationalism* (The Phillips Collection, 2014), while his work has been featured in group exhibitions at prestigious venues such as MoMA PS1, MASS MoCA, Walker Art Center, CAC New Orleans (USA); Royal College of Art, Hayward Gallery, Baltic (UK); Centro Nacional de las Artes, MUAC, Galería de Palacio Nacional (Mexico); as well as international platforms like the Gwangju Biennial (South Korea), 12th Havana Biennial (Cuba), Documenta 13 / AND AND AND (Germany), and the 56th Venice Biennale / Creative Time Summit (Italy). Author of three books, his art and writings have appeared in collections, journals, and publications including *October Magazine*, *Saber Ver*, *Art Forum*, *ARTnews*, *Cultural Studies*, and *Rethinking Marxism*, alongside international media outlets such as *The New York Times*, *The Philadelphia Weekly*, *El Universal*, and *La Jornada*.